Henri Dutilleux. Choral, Cadence et Fugato, for trombone & piano. Composition Information ↓; Parts/Movements ↓; Appears On ↓. Share on. facebook · twitter. Dutilleux’s Chorale, Cadenza and Fugue for Trombone and Piano has never found its way into the mainstream of Trombone repertoire, yet it remains a frequent. Henri Dutilleux – Composer – Choral, Cadence et Fugato for Tenor Trombone – Music Sales Classical.
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Dutilleux Chorale, Cadence & Fugato for Trombone Solos w/Piano
Thus a double reed quartet of 2 oboes, english horn and bassoon will look like this:. The dtuilleux number stands for Flutethe second for Oboethe third for Clarinetthe fourth for Bassoonand the fifth separated from the woodwinds by a dash is for Horn. Note the inclusion of the saxes after bassoon for this band work. A successful performance depends upon a strong high range, excellent rhythm and mature interpretive skills. Those trombonists interested in participating in the Eastern Trombone Workshop solo competition will soon become intimately acquainted with this piece as it is the required work for one of the age groups.
Beethoven Symphony No 1 in C, op 21 [2,2,2,2,0,0, tymp, ]. The Beethoven example is typical of much Classical and early Romantic fare.
The fugue theme, first stated in the low register of the piano, is angular and rhythmic. The fanfare proceeds into the high register where the piece concludes on a fortissimo high B-natural with an E major chord in the piano. The set of numbers after the dash represent the Brass.
The seven minute piece begins with a lovely lyrical chorale tune in the trombone accompanied by lush piano chords.
There is no low brass. Saxophoneswhen included in orchestral music they rarely are will be shown in the “other instrument” location after strings and before the soloist, if any.
Thus, this string quartet is for 2 Violas and 2 Cellos, rather than the usual String Instrumentation Codes Following many of the titles in our String Ensemble catalog, you will see a set of four numbers enclosed in square brackets, as in this example: Whenever this occurs, we will separate the first four digits with commas for clarity. Choral, Cadence et Fugato.
Other Required and Solo parts follow the strings: David Vining, assistant professor of trombone at the Caence of Cincinnati College-Conservatory of Music, offers recitals and clinics to brass players and musicians of all ages.
Example 2 – Jones: It is a gem from the rich tradition of virtuosic French trombone solos which should be included in the repertoire of every serious trombonist. Strings are a standard configuration 4 first violin, 4 second violin, 3 viola, 2 choraal, 2 bass.
Choral, Cadence et Fugato, for… | Details | AllMusic
The bracketed numbers tell you the precise instrumentation of the ensemble. This is a special instrumentation adopted and perfected by the Philip Jones Brass Ensemble.
Sometimes there are instruments in the ensemble other than those shown above. Typically, orchestra scores have the tuba linked to euphonium, but it does happen where Trombone is the fugtao instead.
Choral, Cadence et Fugato, for trombone & piano
The numbers represent only distinct parts, not the number of copies of a part. The system used above is standard in the orchestra music field. The bracketed numbers tell you how many of each instrument are in the ensemble.
Brass Instrumentation Codes Following many of the titles in our Brass Ensemble catalog, you will see a set of five numbers enclosed in square dutillleux, as in this example: In the third example, we have a rather extreme use of the system.
In addition, there are often doublings in the Trumpet section – Piccolo and Flugelhorn being the most common.
As the title suggests, Choral, Cadence et Fugato is divided into 3 distinct sections although the sections segue smoothly from one to another. The second example is common for a concert band or wind ensemble piece. Instruments shown in parenthesis dutiilleux optional and may be omitted.
Choral Cadence et Fugato
Sometimes strings are simply listed as “str,” which means strings. One of the more important recital works in the repertoire.
Choral, Cadence et Fugato. This is standard orchestral nomenclature. Letters that are duplicated as in A in this example indicate multiple parts.
Note also that the separate euphonium part is attached to trombone with a plus sign. The first set of udtilleux before the dash represent the Woodwinds. Thus a double reed quartet of 2 oboes, english horn and bassoon will look like this: